Urban listeners, meanwhile, were abandoning blues for the faster, more sophisticated sound of swing, represented in Ma Rainey's Black Bottom by Chadwick Boseman's young, impatient Levee. tippy('#footnote_plugin_tooltip_1562_1_10', { content: jQuery('#footnote_plugin_tooltip_text_1562_1_10').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Born in West Palm Beach, Florida, Mitch Thomas graduated from Delaware State College and served in the army before becoming the first black disc jockey in Wilmington, Delaware, in 1949.11Eustace Gay, "Pioneer In TV Field Doing Marvelous Job Furnishing Youth With Recreation," Philadelphia Tribune, February 11, 1956; Gary Mullinax, "Radio Guided DJ to Stars," The News Journal Papers (Wilmington, DE), January 28, 1986,D4. Lewis (WRAL), May 29, 1967, Lewis Family Papers, folder 140; "Nero, the Mad," letter to J.D. While performers, record companies, and music fans welcomed Teenarama's promotion of R&B, WOOK's music programing drew criticism from Washington's black press and the city's black leaders. Dick Clark. 3. As labels such as Okeh, Paramount and Columbia rushed into the so-called "race records" market, they snapped up dozens of women like Smith, ("Queen of the Blues"), including Gertrude "Ma" Rainey ("Mother of the Blues"), Bessie Smith ("Empress of the Blues"), Ida Cox ("Uncrowned Queen of the Blues"), Ethel Waters, Sara Martin, Edith Wilson, Victoria Spivey, Sippie Wallace and Alberta Hunter. c. musical playlets Most of the obituaries of Clark, who took over Bandstand in 1956, have noted that the show used rock and roll to break down racial barriers, mostly because that is the story Clark told. Christopher Sterling and John Michael Kittross, "Voice of the People: In Defense of WOOK-TV,", "Nation's First Minority Group TV Station to Broadcast Today,", Nan Randall, "Rocking and Rolling Road to Respectability,". Docu-Drama. Did Dick Clark have segregation on American Bandstand? As historian. Lewis (WRAL), n.d. [ca. c. doo-wop Which aspects of "Leader of the Pack" indicate it is a playlet? Lee Andrews and the Hearts was the first black singer to appear on American Bandstand, which went national with ABC in 1957. d. "Dead Man's Curve", "Dead Man's Curve" was a splatter-platter hit by: Reproduced with permission ofThePhiladelphia Tribune. Unlike American Bandstand, or Soul Train, which started broadcasting nationally in 1971, The Mitch Thomas Show, Teenage Frolics, Teenarama Dance Party, and The Milt Grant Show are not well known outside of their local broadcast markets. "61"Voice of the People: In Defense of WOOK-TV," Washington Afro-American, February 23, 1963. tippy('#footnote_plugin_tooltip_1562_1_61', { content: jQuery('#footnote_plugin_tooltip_text_1562_1_61').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As Burton suggests, during its five years The Milt Grant Show (19561961) was an officially segregated program. "Who can tell," Burton offered, "from the working of the station maybe we can increase our colored stardom. J. D. Lewis' Teenage Frolics, which aired from 1958 to 1983, stayed on the air longer than any other local teen dance program. In this essay, Matthew Delmont examines four programs that brought music and dance to southern and border state television audiences in the 1950s and 1960s. "Teen Dance Music from the 50s and 60s." A weekly presentation of popular music, which went through many format changes during its long run.
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