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The members of the Surrealist movement had an ambivalent attitude towards women. Leonora Carrington With the encouragement of Andr Breton, Carrington wrote about her experiences with mental illness in her first novel, Down Below (1945), and created several haunting, dark paintings evoking her psychotic breakdown, including one also titled Down Below (1941). She managed to escape further psychiatric treatment and, through a marriage of convenience with Mexican diplomat Renato Leduc, secured passage to New York in 1941. Fast Facts: Leonora Carrington Known For: Surrealist artist and I have an insatiable curiosity.) Theres tension in meeting: a clash of the domestic and wild. Her father was a wealthy textile manufacturer, and her mother, Maureen (ne Moorhead), was Irish. This piece is one of Carringtons later works, and we can see her gradually begin to incorporate older female figures into her visual pantheon. Reluctantly, Carringtons parents let her move to London to pursue art at Amde Ozenfants academy. She left New York City for Mexico in 1942, divorced Leduc, became a Mexican citizen, and settled in Mexico City, where she lived the rest of her life. It included contributions from some of the progenitors of the fieldAndr Breton, George Hugne, Paul luard. Leonora Carrington Lancaster, City of Lancaster, Lancashire, England. 6 Apr 1917. Carrington spent her childhood on the family estate in Lancashire, England. In the foreground, we can see a row of slightly unnerving figures standing in a straight line as if they were about to perform. So strong was James patronage that some of Carringtons paintings still hang on the walls of his former family home in West Sussex. In the title of the painting, Carrington emphasizes her dismissal of the oversights of her father. By processing them and sharing them with others, Carrington could lighten the burden and move forward. She was thrown out of two convent schools; according to the nuns, she claimed to be the reincarnation of a saint. A white rocking horse mirrors the position of this horse as it floats behind the artists head. The female figures hand is extended outwardly towards a female hyena, who imitates both her gesture and posture. For a while, their importance was overshadowed by her relationship with artist Max Ernst.